I learned myself Farsi in order to present this episode. The Persian-tuned piano sounds a lot like the santur [hammered dulcimer], and vice versa. Bear with me as I describe the dastgâhs [modal system of Persian classical music] from a dilettante's point of view.
Set #1 - 8:00am - 9:00am
†1. Dastgâh-e Homayoun
17:58
("Humâyân, meaning "lucky" or "fortunate", has a touching character and contains the most sentimental gûsheh-s [melodies] of the radîf [repertoire].")
*2. Dastgâh-e Homayoun
28:17
(Listen attentively.)
†3. Dastgâh-e Segah
13:32
("... Segâh bring[s] about a state of calm and concentration...." = equanimity.)
Set #2 - 9:00am - 10:00am
†4. Dastgâh-e Chahargah
14:24
("Chahargah['s] bold, martial accents are supposed to excite the passions...")
*5. Dastgâh-e Chahargah
28:44
(You tell me the mood of this mode at kds(at)umfm(dot)com, and you'll win a Komodo Dragon Show T-shirt.)
*Tracks 2 & 5 (rec. 1992)
Hossein 'Omoumi - ney, Madjid Khaladj - tombak
The Song of the Ney
Nimbus Records, NI 7060/1
Set #3 - 10:00am - 11:00am
6. Avâz-e Abuata (rec. 2008)
Kiu Haghighi - santur & dombak
Kiu Haghighi, Santour Virtuoso: Musical Mosaic
KH Productions, 00261 24105
36'
("Abu Ata is purple or bright coffee in color and seems to be best played from noon until four in the afternoon. Its element is earth and its mystic connotation ranges from shariat (the law) to tariqat (the path)." This, and other useful information from the Foundation for Iranian Studies.)
†7. Dastgâh-e Nava
9:28
("... somber, dignified and serious... the reflective mode favored by the Sufis...")
†8. Dastgâh-e Rastpanjgah
12:53
†8. Dastgâh-e Rastpanjgah
12:53
("... set[s] a mood conducive to thinking, concentration and enlightenment.")
†Tracks 1, 3, 4, 7 & 8 (rec. 2006)
Fakhri Malekpour - Persian-tuned piano
Fakhri Malekpour: Mashqe Ostad
Fakhri Malekpour: Mashqe Ostad
Avaye Honar & Andisheh Institute of Culture and Art, n.n.
(Pianist Fakhri Malekpour resists her fingers picking out V-I root movement unlike some of her younger colleagues. It's a tonal temptation when you've got a keyboard in front of you. We will hear from her again next week.)
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